Lyrical Writing in "Sing, Unburied, Sing", by Jesmyn Ward - Book Review

Sing, Unburied, Sing is heartbreaking and intense. It is the contemporary, rural South where location and characters are inextricably intertwined. This is Jesmyn Ward’s third novel, and she is certain to become one of South’s most notable writers.

The story is of a black family in coastal Mississippi, laden with the pain of memories, disease, drugs, and obsessions.  But it’s also a story of love, survival, and deep devotion. The chapters are told from the perspective of Jojo, a sensitive, prescient thirteen-year-old and his mother, Leonie. Jojo and his three-year-old sister, Kayla are raised by Pop, their grandfather who cares for them as well as his cancer-ridden wife, Mam, and their small home and livestock.  Leonie waitresses in a bar, gets high on meth, and is consumed with her white imprisoned boyfriend, Michael, also the father of her two children.

Focusing on the struggles of each character, Ward brings racial conflict front and center - from a story of slaves kidnapped from their homes in Africa and the harrowing ship ride to America, to Pop’s time in prison as a young man trying to look after a black child who was also jailed and brutalized. And we get a glimpse into Michael’s family - enough to witness extreme prejudice, violence, and hate’s repercussions.

Tight knit, Jojo and Pop care for Kayla and Mam, and Pop tries to prepare Jojo for manhood; while Leonie works and gets high, planning for the day Michael is freed from prison. Jojo listens to Pop’s stories of growing up and of his time prison; of the boy he tried to save; and of the blood on his hands. He is haunted, and they are all plagued with ghosts in some respect. 

Ward is able to weave together the mystical - through memories and specters from the past who can’t find their way home - and a jarring reality of racism and drug addiction. This is not an easy book to read, but it is certainly worthy of the effort.

Published: 2017
Publisher: Scribner

Vickie’s rating: 4 Stars

"The Mortifications", by Derek Palacio - Book Review

It’s 1980, and if you’re familiar at all with Florida, you remember well the Mariel boatlift, or at least the aftermath.  In case you’re not acquainted, it was an outpouring of over 100,000 Cuban refugees to Florida via harrowing seafaring voyages - dangerous and horrifying for those braving the conditions. But perhaps it was less so than remaining under the Castro regime in Cuba.

The Mortifications begins with a mother, a son, and a daughter making this trip, leaving behind their rebel father; seeking a better life in America - in Connecticut. Soledad becomes an accomplished stenographer at the county courthouse, rising through the ranks. Twins Ulises and Isabel attend catholic school; Ulises an awkward, bookish type, and Isabel poised and godly.  Soledad begins a long romance with Dutch tobacco farmer, Henri, for whom Ulises eventually works, managing his fields and laborers.

This tale encompasses the mysticism of the Encarnación family: Soledad’s insatiable sex drive during illness; Ulises’ dedication to Latin and farming; and Isabel’s unwavering loyalty to God, which she twists to conform to each unique situation in which she finds herself; and Uxbal, the father still in Cuba. It has all the makings of an epic family drama, including the weighty return to their homeland, with Henri, in search of each other and their father. All of which is where, author Derek Palacio tries to take us.

However, with all the theater and well-written prose, the story seemed lifeless, flat.  There was a third dimension - perhaps emotion - that was missing. I could neither connect with nor suspend my disbelief for each character’s unique supremacy. There were some poignant moments in the book, nonetheless - thoughtful musings at the right moments occasionally surfaced. In the end, I was left disappointed, yearning for the incontrovertible mysticism of Gabriel Garcia Marquez or perhaps I’ll try something else altogether. 

Published: 2016
Publisher: Tim Duggan Books / Crown Publishing

Vickie’s rating: 2.5 stars